Notes & Lectures
COMPOSITION I |
CREATIVE WRITING |
|
WORLD LITERATURE |
| THESIS STATEMENTS, PRE-WRITING, ORGANIZATION, & OUTLINING | FICTION CHAPTER 1: THE WRITING PROCESS | CHAPTER 1 & 2: GUIDELINES FOR NARROWING YOUR RESEARCH TOPICS | |
| PLAGIARISM & MLA DOCUMENTATION/CITATION | FICTION CHAPTER 2: PLOT & STRUCTURE | CHAPTER 3 & 8: EVALUATING SOURCES & WRITING A RESEARCH PROPOSAL |
ANCIENT EGYPTIAN POETRY: LEIDEN HYMNS & LOVE SONGS |
| SUMMARY GUIDELINES | FICTION CHAPTER 3: DETAILS & SHOWING | CHAPTER 9:THINKING CRITICALLY & LOGICAL FALLACIES |
BIBLE: OLD TESTATMENT |
| DESCRIPTION GUIDELINES | FICTION CHAPTER 4: BUILDING CHARACTER | RACHEL AND HER CHILDREN |
ANTIGONE BY SOPHOCLES |
| ANALYSIS STRATEGY | THE NARRATIVE VOICE & STUDENT TIP SHEET | CHAPTER 10: TAKING NOTES FROM SOURCES |
THE BHAGAVAD-GITA |
| BERGER'S "WAYS OF SEEING" | FICTION CHAPTER 5: THE FLESH MADE WORD |
FAST
FOOD NATION & SUPER-SIZE ME |
THE KORAN, AMARUSATAKA BY AMARU, & KATHASARITSAGARA BY SOMADEVA |
| CAUSE & EFFECT STRATEGY | FICTION CHAPTER 6: FICTIONAL PLACE & TIME | PLAGIARISM & APA DOCUMENTATION/CITATION | THE DIVINE COMEDY- INFERNO |
| DEFINITION STRATEGY | FICTION CHAPTER 7: POINT OF VIEW | CHAPTER 11 & 12: PLANNING YOUR PAPER & FORMAL OUTLINES | THE DIVINE COMEDY- PURGATORIO & PARADISO |
| SUSAN BORDO & MEDIA ADS | FICTION CHAPTER 11: REVISION | THE LAST TIME I WORE A DRESS |
THE PILLOW BOOK BY SEI SHONAGON & Nő DRAMA: ATSUMORI, HAKU RAJUTEN & DOJOJI |
| COMPARISON & CONTRAST STRATEGY | POETRY CHAPTER 1 & 19 | CRASH & PREJUDICE ACROSS AMERICA |
THE PRINCE BY NICCOLO MACHIAVELLI & PETRARCHAN SONNETS |
| "THE 'BANKING' CONCEPT OF EDUCATION" VS. THE SCHOLARSHIP BOY | POETRY CHAPTER 2 & 7 |
DON QUIXOTE BY MIGUEL DE CERVANTES |
|
| ARGUMENT STRATEGY & AVOIDING LOGICAL FALLACIES | POETRY CHAPTER 37 & 48 | ||
| MICHAEL FOUCAULT'S "PANOPTICISM" & THE MATRIX | POETRY CHAPTER 31 |