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Introduction to Fiction
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Course Objectives
This course introduces you to the
pleasures and subtlety of the details and narrative artistry contained in the
novel and short stories. The course
is less an historical survey than an intense appreciation of individual works of
art.
Required Texts
Brown, Dan. The Da Vinci Code. New
York: Doubleday, 2003.
Charters, Ann. The Story and Its Writer.
7th edition. Boston: Bedford/St. Martin's, 2007.
A Xanedu©
packet of additional readings available after midterm.
Recommended Text
Lynch, Rose Marie, and Kimberly M. Radek. Style Book. 2003.
Grading Scale (%)
A: 100-90
B: 89-80 C: 79-70
D: 69-60 F: 59-0
Breakdown of Grades (not including reductions for poor attendance, etc.)
| Class Participation: | 20% | Examination #1 | 15% |
| Group Presentation | 15% | Examination #2 | 15% |
| Researched Reaction Paper | 20% | Examination #3 | 15% |
Class Participation: You will be evaluated on your contribution and efforts to the class. All homework, in-class writings, computer assignments, presentations, and quizzes will be graded and make up part of your class participation grade. You can expect a brief quiz on each story at the beginning of the class in which we first begin discussing it. Material from lecture or other reading assignments may also be assessed this way. Additionally, preparation for class, participation in class discussion, and tardiness contribute to this category of evaluation.
The Paper: Your paper must be typed, double-spaced, laser-printed, and follow standard MLA format. In this paper you will react to a work of literature that we've covered in class, explaining what its message is, how that message relates to you, whether you find it an enjoyable or useful read, and whether you think it is a good or great work of literature-quoting from it to support these responses. In the researched reaction portion of the paper you will reveal how two published readers have answered the above prompts. Finally, you will explain whether you agree or disagree with those readers' opinions, using the text itself to make either the proof or refutation of that opinion. This paper should, of course, have a clearly stated thesis statement in the first paragraph and contain quoted support from the texts to show how and why you've come to the opinion that you have. Late papers are accepted and graded only at the instructor's discretion. The due dates of the papers correspond to the topic of the paper. They are due at the beginning of the class period the week following the conclusion of our in-class study of said subject.
Papers will be given letter grades that will be converted to percentage points before I compute the final semester grade, and they will be evaluated on audience, content, grammar, organization, presentation, spelling, style, logic, and accuracy.
The Examinations: You will be tested over the material covered in class lecture, discussions, and assigned readings. The examinations will include short answer, multiple choice, and passage identification questions, but will be largely based upon essay questions. These exams will show that you can read these texts critically and analytically, identify common themes and issues in them, and write clearly about them.
The Group Presentations: You will be asked to form a group of four-six students for the purpose of teaching the class one--or more--of the stories from the syllabus, from March or after. Your group should research the story so that you can share with the class its theme, its historical or authorial context, and its use of literary elements and artistic use of language. Additionally, you should prepare an attendance quiz and discussion questions related to the story. You will present these on the day the story is listed on the syllabus, and of course, you can assume that your classmates will already have read the story. You may write your paper on the story your group covers.
Attendance
Because the class, itself, will determine the quantity and depth of the texts we study, your attendance is extremely important. You cannot learn (or help others learn through insightful discussion) if you are not in class. You will not receive credit for any work you miss or fail to turn in to me while or because you are out of class. It is your responsibility to request by 12:15 PM on April 3rd that I withdraw you, if you find that you are not going to be able to complete the course.
Note: The only absences I consider excused are IVCC-sponsored trips.
If you will be attending one of these, your assignments and papers must be turned in
to me in advance of the trip.
General Education Credit
This course is a general education course, which fulfills a humanities requirement toward your bachelor's degree. It has been accepted by IAI as an
H3
901 course, so you know that it will be accepted by all participating schools. Additionally, this course will help you attain the following goals, deemed central to IVCC's general education program:
1. To apply analytical and problem solving skills to personal, social, and professional issues and situations.
2. To communicate orally and in writing, socially and interpersonally.
3. To develop an awareness of the contributions made to civilization by the diverse cultures of the world, including those within our own society.
4. To understand and use contemporary technology effectively and to understand its impact on the individual and society.
5. To work and study effectively both individually and in collaboration with others.
6. To understand what it means to act ethically and responsibly as an individual in one's career and as a member of society.
7. To develop and maintain a healthy lifestyle physically, mentally, and spiritually.
8. To appreciate the ongoing value of learning, self-improvement, and career planning.
Expected Student Outcomes
1. The student will read texts with understanding and appreciation, reacting to and analyzing what he or she has read.
2. The student will listen actively to lectures and discussions, asking questions for clarification on ideas or issues, if needed.
3. The student will participate in discussion, offering his or her insights about the literature or asking the class or instructor for clarification on material he or she does not completely understand.
4. The student will integrate and cite accurately information of other writers, using other writers' opinions, beliefs, and/or observations to support his or her own opinions, beliefs, and/or observations.
5. The student will synthesize lecture, discussion, and text
materials to come to a more solid world view on the impact writing has and has had upon
history and the impact history has and has had upon writing.
Desired Attitudes Toward the Course
Students will respect each other's personal beliefs and be committed to
helping each other learn more about the course information and themselves. Students
will help each other improve their written and oral communication skills so that each
student may be more confident in his or her own unique personal voice and see the
authority in his or her own personal experience. Students will prepare thoroughly
for class.
Plagiarism
The College's policy on plagiarism,
as detailed in the Student Code of Conduct, applies in this class; I will
question you if your work does not appear to be your own. Keep all notes, outlines,
drafts, and finished assignments so that you can demonstrate that writing you have
submitted is your own work, should any question of plagiarism arise.
Assistance
You may be eligible for academic accommodations if you have a physical, psychiatric, or cognitive disability. If you have a disability and need more information regarding possible accommodations, please contact Tina Hardy at 224-0284, Jim Prendergast at 224-0350, or stop by office B-204.
| Tentative Class Schedule |
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| Readings are due for class on the day they are listed | ||
| Deadlines, Readings, and Subjects |
| Th | 1/10 | Introduction to Course and Texts Explanation of Syllabus and Instructor Philosophy Read Charters, pages 3-5 Complete and submit Assignment #1 |
| T | 1/15 |
Elements of Fiction Read Charters, Appendix 2, "The Elements of Fiction" Read and discuss "Cupid and Psyche;" Grimms' "Little Red Cap," "Little Brier-Rose," and "Ashputtle;" and Perrault's "Little Red Riding Hood," "Sleeping Beauty," and "Cinderella" Take Quiz #1 |
| Th | 1/17 | Read
Woody Allen's "The Kugelmass Episode" Read Charters, Appendix 3, "A Brief History of the Short Story" Take Quiz #2 |
| T | 1/22 |
Origins Lecture: Creation Stories Read and discuss the NIV's Genesis 1-4 and KJV's Genesis 1-4 and Bulfinch's "Prometheus and Pandora" Take Quiz #3 |
| Th | 1/24 | Read
Washington Irving's "Rip VanWinkle" Lecture: Literary History Take Quiz #4 |
| T | 1/29 | Read
Guy de Maupassant's "The Necklace" and O. Henry's (or William Sydney
Porter's)
"The Last Leaf"
Lecture: Details for "The Last Leaf" Take Quiz #5 |
| Th | 1/31 | Read Ernest Hemingway's "The Short, Happy Life of Francis Macomber"and
F. Scott Fitzgerald's "Babylon Revisited" Take Quiz #6 |
| T | 2/5 | Read Eudora Welty's "A Worn
Path" and the related commentary, pages
1564-1566, and Appendix 4, "Writing About Short Stories" Take Quiz #7 |
| Th | 2/7 | Take Examination #1 |
| T | 2/12 | Read William Faulkner's "A Rose for
Emily" and Stephen Crane's "The
Open Boat" as well as the related
commentaries beginning on pages 1445 and 1438, respectively Take Quiz #8 |
| Th | 2/14 | Read Tim O'Brien's "The
Things They Carried" and the related commentaries Lecture: Names as Symbols Take Quiz #9 |
| T | 2/19 | Read Ursula K. LE
Guin's "The Ones Who Walk Away from Omelas" and the related commentary Take Quiz #10 |
| Th | 2/21 | Read Toni Cade Bambara's
"The Lesson" and Alice
Walker's "Everyday Use" and the related commentary Take Quiz #11 |
| T | 2/26 |
Read Zora Neale Hurston's
"The Gilded Six-Bits, "Spunk," and "Sweat,"" as well as the
related casebook commentaries Take Quiz #12 |
| Th | 2/28 |
Read Shirley Jackson's "The
Lottery" and the related commentary Take Quiz #13 |
| T | 3/4 | Read Nathaniel Hawthorne's
"The Birthmark" and "Young Goodman Brown"
as well as the related commentaries Take Quiz #14 |
| Th | 3/6 | Read Gish Jen's "Who's
Irish?" and Margaret Atwood's "Happy Endings," as well as Atwood's
commentary Take Quiz #15 |
| T | 3/11 | Read Kate Chopin's "The
Story of an Hour" and "Désirée's Baby" in Charters and related commentary
by Chopin, as well as her
"At the 'Cadian
Ball" and "The Storm" Take Quiz #16 |
| Th | 3/13 | Read Charlotte Perkins Gilman's
"The Yellow Wallpaper" and related commentaries Take Quiz #17 |
| T | 3/25 | Take Examination #2 |
| Th | 3/27 | Joyce Carol Oates's
"Where Are You Going, Where Have You Been?", as well as the
related commentary Take Quiz #18 |
| T | 4/1 | Read Tanith Lee's Wolfland
and "Wolfed" Read Appendix 5, "Literary Theory and Critical Perspectives" Take Quiz #19 Theoretical Approaches to Literature |
| Th | 4/3 | Begin discussing Dan Brown's
The Da Vinci Code Take Quiz #20 Note: This is the last day to request a withdraw from class |
| T | 4/8 | Read Dan
Brown's The Da Vinci Code through chapter 20. Take Quiz #21 |
| Th | 4/10 | Read Dan
Brown's The Da Vinci Code, chapters 21-54. Take Quiz #22 |
| T | 4/15 | Read Dan
Brown's The Da Vinci Code, chapters 55-82. Take Quiz #23 |
| Th | 4/17 | Read Dan
Brown's The Da Vinci Code, chapters 83-the end of the
book. Take Quiz #24 |
| T | 4/22 | Read and
discuss Dan Brown's The Da Vinci Code Take Quiz #25 |
| Th | 4/24 | Discuss Dan Brown's The Da Vinci Code |
| T | 4/29 | Discuss Dan Brown's The Da Vinci Code |
| Th | 5/1 | Wrapping It All Up: The Resolution |
| T | 5/6 | Take Examination #3 from 11:00 AM - 1:00 PM |
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