LIT 2013-01 MWF 1:00-1:50 A-331
Kimberly M. Radek, Instructor
Office: A-314, MW 9:00-11:00, W 12:00-2:00, and TTh 9:30-11:00
Phone: 224-0395 E-mail:
Kimberly_Radek@ivcc.edu
Course Objectives
This course introduces you to the
pleasures and subtlety of the details and narrative artistry contained in the
novel and short stories. The course
is less an historical survey than an intense appreciation of individual works of
art.
Required Texts
Charters, Ann. The Story and Its Writer.
6th edition. Boston: Bedford/St. Martin's, 2003.
Naylor, Gloria. Linden Hills. New York: Penguin, 1985.
A Xanedu packet of readings
Recommended Text
Lynch, Rose Marie, and Kimberly M. Radek. Style
Book. 1996.
Grading Scale (%)
A: 100-90 B:
89-80 C:
79-70 D:
69-60 F: 59-0
Breakdown of Grades (not including reductions for poor attendance, etc.)
| Class Participation: | 20% | Examination #1 | 10% |
| Reaction Papers (4) | 20% | Examination #2 | 10% |
| Researched Reaction Paper | 10% | Examination #3 | 10% |
| Researched Comparative Paper | 20% |
Class Participation: You will be evaluated on your contribution and efforts to the class. All homework, in-class writings, computer assignments, presentations, and quizzes will be graded and make up part of your class participation grade. You can expect a brief quiz on each story at the beginning of the class in which we first begin discussing it. Material from lecture or other reading assignments may also be assessed this way. Additionally, preparation for class, participation in class discussion, and tardiness contribute to this category of evaluation.
The Papers: All submitted drafts should be done on a computer. They must be double-spaced, laser-printed, and follow standard MLA format. In these papers you will react to a work of literature that we've covered in class, explaining what its message is, how that message relates to you, whether you find it an enjoyable or useful read, and whether you think it is a good or great work of literature. In the researched reaction papers you should find out how two published readers have answered the above prompts and explain whether you agree or disagree with those readers' opinions, using the text itself to make either the proof or refutation of that opinion. In the researched comparative paper, you should compare a story read in class to another written by the same author, assessing similarities and differences in the use of the elements of fiction. Late papers will not be accepted without prior authorization and will result in a zero percent "F." All of these papers should, of course, have clearly stated thesis statements in their first paragraphs.
The due dates of the papers correspond to the topic of the paper. Your reaction paper for a given subject is due at the beginning of the class period immediately following the conclusion of our in-class study of said subject. Researched reaction papers are due at the beginning of the class period the week following the conclusion of our in-class study of said subject. Researched comparative papers are due by the beginning of the last class before final exams.
Papers will be given letter grades that will be converted to percentage points before I compute the final semester grade, and they will be evaluated on audience, content, grammar, organization, presentation, spelling, and style.
The Examinations: You will be tested over the material covered in
class lecture, discussions, and assigned readings. The examinations will include
short answer, multiple choice, and passage identification questions, but will be largely
based upon essay questions. These exams will show that you can read these texts
critically and analytically, identify common themes and issues in them, and write clearly
about them.
Attendance
Because the class, itself, will determine the quantity and depth of the texts we study, your attendance is extremely important. You cannot learn (or help others learn through insightful discussion) if you are not in class. You will not receive credit for any work you miss or fail to turn in to me while or because you are out of class. Each student is allowed three absences. After three absences, the final semester grade will be lowered by one letter grade for each absence. Thus, seven or more absences will result in a grade of "F" for the semester. If your family, work, or sports schedule will prevent you from attending four (or more) classes, you should probably not be in this section, as your grade will likely suffer. It is your responsibility to request that I withdraw you, if you find that you are not going to be able to complete the course. Having said that, there will be online "make-up" sessions for each topic covered, so if attendance is a problem, there is another way to earn the points without penalty.
Note: The only absences I consider excused are IVCC-sponsored trips.
If you will be attending one of these, your assignments and papers must be turned in
to me in advance of the trip.
General Education Credit
This course is a general education course, which fulfills a humanities requirement toward your bachelor's degree. It has been accepted by IAI as an H3
901 course, so you know that it will be accepted by all participating schools. Additionally, this course will help you attain the following goals, deemed central to IVCC's general education program:
1. To apply analytical and problem solving skills to personal, social, and professional issues and situations.
2. To communicate orally and in writing, socially and interpersonally.
3. To develop an awareness of the contributions made to civilization by the diverse cultures of the world, including those within our own society.
4. To understand and use contemporary technology effectively and to understand its impact on the individual and society.
5. To work and study effectively both individually and in collaboration with others.
6. To understand what it means to act ethically and responsibly as an individual in one’s career and as a member of society.
7. To develop and maintain a healthy lifestyle physically, mentally, and spiritually.
8. To appreciate the ongoing value of learning, self-improvement, and career planning.
Expected Student Outcomes
1. The student will read texts with understanding and appreciation, reacting to and analyzing what he or she has read.
2. The student will listen actively to lectures and discussions, asking questions for clarification on ideas or issues, if needed.
3. The student will participate in discussion, offering his or her insights about the literature or asking the class or instructor for clarification on material he or she does not completely understand.
4. The student will integrate and cite accurately information of other writers, using other writers' opinions, beliefs, and/or observations to support his or her own opinions, beliefs, and/or observations.
5. The student will synthesize lecture, discussion, and text
materials to come to a more solid world view on the impact writing has and has had upon
history and the impact history has and has had upon writing.
Desired Attitudes Toward the Course
Students will respect each other's personal beliefs and be committed to
helping each other learn more about the course information and themselves. Students
will help each other improve their written and oral communication skills so that each
student may be more confident in his or her own unique personal voice and see the
authority in his or her own personal experience. Students will prepare thoroughly
for class.
Plagiarism
The College's policy on plagiarism,
as detailed in the Student Code of Conduct, applies in this class; I will
question you if your work does not appear to be your own. Keep all notes, outlines,
drafts, and finished assignments so that you can demonstrate that writing you have
submitted is your own work, should any question of plagiarism arise.
Assistance
You may be eligible for academic accommodations if you have a physical, psychiatric, or cognitive disability. If you have a disability and need more information regarding possible accommodations, please contact Tina Hardy at 224-0284, Jim Prendergast at 224-0350, or stop by office B-204.
| Tentative Class Schedule | ||
| Readings are due for class on the day they are listed | ||
| Deadlines, Readings, and Subjects |
| M | 1/12 | Introduction to Course and Texts Explanation of Syllabus and Instructor Philosophy Read Charters, pages 3-5 Complete and submit Assignment #1 |
| W | 1/14 | Elements of Fiction Read Charters, Appendix 3, pages 1739-1751 |
| F | 1/16 | Read Woody Allen's "The
Kugelmass Episode" in Charters, pages 21-29. Take Quiz #1 |
| M | 1/19 | No Class--Martin Luther King, Jr. Day |
| W | 1/21 | Read Washington Irving's
"Rip VanWinkle" in Charters, pages 680-691. Lecture: Literary History Take Quiz #2 |
| F | 1/23 | Read Guy de Maupassant's
"The Necklace" in Charters, pages 966-972. Take Quiz #3 |
| M | 1/26 | Read O. Henry's (or
William Sydney Porter's) "The
Last Leaf" in Charters, pages 1219-1223, and "The
Gift of the Magi." Lecture: Details for "The Last Leaf" Take Quiz #4 |
| W | 1/28 | Read Eudora Welty's "A Worn
Path" in Charters, pages 1377-1383; the related commentary, pages
1591-1593; and Appendix 4, pages 1752-1779. Take Quiz #5 |
| F | 1/30 | Read William Faulkner's "A Rose for
Emily" in Charters, pages 484-490. Take Quiz #6 |
| M | 2/2 | Read Stephen Crane's "The
Open Boat" in Charters, pages 405-422, as well as the related
commentary on pages 1482-1484. Take Quiz #7 |
| W | 2/4 | Read Jack London's "To Build
a Fire" in Charters, pages 920-931, and the related commentary on
pages 1525-1528. Take Quiz #8 |
| F | 2/6 | Read Sarah Orne Jewett's "A
White Heron" in Charters, pages 729-736, and the related commentary
on pages 1513-1517. Take Quiz #9 |
| M | 2/9 | Read Tim O'Brien's "The
Things They Carried" in Charters, pages 1102-1115, as well as the
related commentaries on pages 1531-1532 & 1551-1553. Lecture: Names as Symbols Take Quiz #10 |
| W | 2/11 AND |
Read Ursula K. LE
Guin's "The Ones Who Walk Away from Omelas" in Charters, pages
902-906, and the related commentary on pages 1524-1525. Take Quiz #11 Read Toni Cade Bambara's "The Lesson" in Charters, pages 108-113. Take Quiz #12 |
| F | 2/13 | Read Shirley Jackson's "The
Lottery" in Charters, pages 693-699, and the related commentary on
pages 1506-1508. Take Quiz #13 |
| M | 2/16 | Read Nathaniel Hawthorne's
"The Birthmark" and "Young Goodman Brown" in Charters,
pages 622-642, as well as the related commentaries on pages 1535-1536
& 1692-1694. Take Quiz #14 |
| W | 2/18 | Read Charles W. Chesnutt's
"The Wife of His Youth" in Charters, pages 312-320. Take Quiz #15 |
| F | 2/20 | Read Alice Walker's
"Everyday Use" in Charters, pages 1360-1366, and the related
commentary on pages 1661-1662. Take Quiz #16 |
| M | 2/23 | Read Zora Neale Hurston's
"The Gilded Six-Bits" in Charters, pages 652-660, as well as the
related casebook commentaries on pages 1648-1656. Take Quiz #17 (bundled with Quiz #18 below) |
| W | 2/25 | Read Zora Neale Hurston's
"Spunk" and "Sweat" in Charters, pages 660-6734, and
the related casebook commentaries on pages 1656-1662. Take Quiz #18 (was bundled with Quiz #17 above) |
| F | 2/27 | Examination #1 |
| M | 3/1 | Read Isabel Allende's "And
of Clay Are We Created" in Charters, pages 30-37. Take Quiz #19 (with next story, too) |
| W | 3/3 | Read Gish Jen's "Who's
Irish?" in Charters, pages 719-727. Take Quiz #20 (in with #19, above) |
| F | 3/5 | Read Margaret Atwood's
"Happy Endings" and "Rape Fantasies" in Charters,
pages 69-78, and related commentary on pages 1456-1459. Take Quiz #21 |
| M | 3/15 | Read Kate Chopin's "The
Story of an Hour" and "Désirée's Baby" in Charters, pages
322-328, and related commentary on pages 1474-1475 Take Quiz #22 (bundled with Quiz #23) |
| W | 3/17 | Read Kate Chopin's
"At the 'Cadian
Ball" and "The Storm" Take Quiz #23 (was bundled with Quiz #22, above) |
| F | 3/19 | Read Charlotte Perkins Gilman's
"The Yellow Wallpaper" in Charters, pages 576-588, and related
commentaries on pages 1493-1499. Take Quiz #24 |
| M | 3/22 | TBA |
| W | 3/24 | No Class--Faculty Recruitment Day |
| F | 3/26 | Examination #2 |
| M | 3/29 | Read Joyce Carol Oates's
"Where Are You Going, Where Have You Been?" in Charters, pages
1089-1101, as well as the related commentary on pages 1548-1551. Take Take Quiz #25 (bundled with Quizzes # 26 and 27 below) |
| W | 3/31 | Read Angela Carter's "The
Company of Wolves" in Charters, pages 221-228, an related commentary
on pages 1570-1572. Take Quiz #26 (was bundled with Quizzes # 25 and 27) |
| F | 4/2 | Read Tanith Lee's Wolfland
Take Quiz #27 (was bundled with Quizzes # 25 and 26 above) |
| M | 4/5 | TBA |
| W | 4/7 | Read Franz Kafka's "The
Metamorphosis" in Charters, pages 803-837, as well as the related
commentaries on pages 1511-1513, 1581-1583 & 1588-1591. Take Quiz #28 |
| F | 4/9 | No Class--Spring Break! |
| M | 4/12 | Read F. Scott Fitzgerald's
"Babylon Revisited" in Charters, pages 505-520, and TBA Take Quiz #29 |
| T | 4/13 | Last Day to Withdraw from this Course |
| W | 4/14 | Read Ernest Hemingway's
"Hills Like White Elephants" in Charters, pages 647-650, and
"Indian Camp." Take Quiz #30 (with #31 below) |
| F | 4/16 | Read Ernest Hemingway's "
The Short, Happy Life of Francis Macomber" and TBA Take Quiz #31 |
| M | 4/19 | Take Quiz #32 |
| W | 4/21 | Take Quiz #35 |
| F | 4/23 | Take Quiz #36 |
| M | 4/26 | Finish Hemingway |
| W | 4/28 | Read Gloria Naylor's Linden
Hills, pages 1-20. Take Quiz #32 |
| F | 4/30 | Reading Day: Teacher at Conference |
| M | 5/3 | Read Gloria Naylor's Linden
Hills, "December 19th" and "December 20th" Take Quiz #33 |
| W | 5/5 | Read Gloria Naylor's Linden
Hills, "December 21st"and "December 22nd" Take Quiz #34 |
| F | 5/7 | Read Gloria Naylor's Linden
Hills, "December 23rd" Take Quiz #35 |
| M | 5/10 | Read Gloria Naylor's Linden
Hills, "December 24th" Take Quiz #36 |
| W | 5/12 | Examination #3 |
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